![]() Allen continues to assemble some of the most adventurous, beauteous, and just plain weird stuff our current crop of speculative authors are capable of producing. Valente to give us their take on the concepts of, as the title has it, “beauty and strangeness.” The result has been a critical and artistic success and, if volume three is any indication, the spell won’t be lifting any time soon. ![]() Locus For the past three years editor Mike Allen has been publishing his unique CLOCKWORK PHOENIX anthologies, inviting authors like Tanith Lee and Catherynne M. And the ghosts - are they happy? Read the story and find out. especially when she falls for the ghost she is forced to braid. So ghosts are the servants of the older woman. Cooney’s “Braiding the Ghosts”, in which a girl goes to her grandmother after her mother’s death, and learns from the older woman the secret of “braiding” ghosts - which is to say enslaving them. One of the latter is my favorite here: C. Wright’s “Murder in Metachronopolis”, a convoluted time travel mystery) with what seems best called slipstream (say, Tanith Lee’s curious “Fold”, about a man who sends people paper airplane love letters) with out and out fantasy. There is a mixture of wild science fiction (as with John C. This makes them consistently interesting. This seems a quite appropriate subtitle - the stories really do seem attempts at evoking both beauty and the strange. Booklist CLOCKWORK PHOENIX is a series of anthologies from Norilana Books, edited by Mike Allen, that bears the subtitle “New Tales of Beauty and Strangeness”. All in all, it’s a very successful collection of thematically similar, but wildly varied in subject, works. Clockwork Phoenix delivers on its promise of both beauty and strangeness, and adds in some fright and a few new ways of looking at old tropes. Gemma Files’ “Hell Friend” is really a heart-warming ghost story Georgina Bruce’s “Crow Voodoo” is an unnerving take on something common to fairy tales and Gregory Frost’s “Lucyna’s Gaze” starts off sweet, and grows more awful with every revealed detail. Tanith Lee’s “Fold” is a story of a man who wrote love letters to the people he saw passing beneath his window, and only left his apartment once. “The Gospel of Nachash” opens, Marie Brennan’s haunting tale of the beginning of time, and a very interesting reinterpretation of a gospel it is, too. Without a wrong note, all the stories in this anthology admirably fulfill Allen’s promise of “beauty and strangeness.” - Publishers Weekly, Starred Review With a balance of new names and established authors, the third Clockwork Phoenix installment collects some magnificent interpretations of fantastic ideas. Shweta Narayan’s “Eyes of Carven Emerald” eloquently rewrites the history of Alexander the Great to include mechanical entities. ![]() Cat Rambo deals with realism and escapism in her futuristic “Surrogates,” where appearances and reality are mutable. Cooney’s “Braiding the Ghosts” are sinister, spine-tingling ghost stories. Tori Truslow’s scholarly “Tomorrow Is Saint Valentine’s Day” tells the story of the Great Ice Train and its encounter with the merfolk on the Moon. Marie Brennan sets the bar high with “The Gospel of Nachash,” a fine reinterpretation of the Adam and Eve legend from a fresh perspective. Allen’s third volume of extraordinary short stories reaches new heights of rarity and wonder.
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